Review: Gidget Gets Married (1972) TV movie

Gidget and Moondoggie’s romance started onscreen in 1959 on the beaches of Malibu.
Though the real Gidget didn’t marry “Moondoggie,” the fictional one tied the knot in a 1972 TV movie, “Gidget Gets Married.”

At the end of the TV movie “Gidget Grows Up” (1969), Gidget and Jeff get engaged. Two years later, Gidget (Monie Ellis) has left her job at the United Nations and is now working as a first grade teacher. Jeff “Moondoggie” Stevens (Michael Burns) returns home from the Air Force and is ready to get married immediately.

Jeff/Moondoggie (Michael Burns) and Gidget (Monie Ellis)

Jeff/Moondoggie (Michael Burns) and Gidget (Monie Ellis)

The two go to Gidget’s dad (Macdonald Carey) who is wary of such a quick wedding but relents when he hears Jeff has an engineering job lined up. Former child star and Gidget’s old landlord Louis B. Latimer (Paul Lynde) attends the wedding and brings his movie cameras to capture the moment.

The movie is less about the wedding and more about the newlyweds adjusting to married life, new jobs and communities.

They move to Florida for Jeff’s job at Worldwide Dynamics. Their home is located in a company owned community and furniture is provided by Worldwide Dynamics, which doesn’t sit well with Gidget, because she can’t decorate her first home. Jets also fly over Gidget’s neighborhood. Worldwide Dynamics is separated into three communities based on status within the company and the neighborhoods aren’t supposed to fraternize.

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Musical Monday: Top Banana (1954)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 500. To celebrate and share this musical love, here is my weekly feature about musicals.

top bananaThis week’s musical:
“Top Banana” (1954)– Musical #550

Studio:
United Artists

Director:
Alfred E. Green

Starring:
Phil Silvers, Rose Marie, Danny Scholl, Jack Albertson, Judy Lynn, Bradford Hatton, Johnny Coy, Dick Dana

Plot:
Shot as if you are watching the Broadway play, the plot follows a demanding TV star Jerry Biffle (Silvers) trying to boost the ratings of his flailing TV program. He casts attractive young people Sally Peters (Lynn) and Cliff Lane (Scholl) as leads to raise ratings. It gets complicated when Sally and Cliff fall in love and Phil also loves Sally.

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Review: Gidget Grows Up (1969) TV movie

The world was changing in the late-1960s.

The anti-authority, anti-capitalism, anti-war and free-love movements brought a shift in popular culture.

The surf culture that erupted after Fredrick Kohner’s book “Gidget” hit the shelves was starting to fade with dissatisfaction of establishment. This caused a shift in pop culture, and films and music focused more on social movements and issues rather than wanting to hold hands or surf the USA. There no longer was a place for Technicolor fluff films focusing on beach parties, surfing and wahinis in wild bikinis.

So how does Frances “Gidget” Lawrence, the surfing “girl midget” who first appeared in 1957, fit in a changing world?

She goes to work at the United Nations.

Gidget (Karen Valentine) and her friends Diana (Susan Batson) and Minnie (Helen Funai) become United Nations guides. (Comet Over Hollywood screencap)

Gidget (Karen Valentine) and her friends Diana (Susan Batson) and Minnie (Helen Funai) become United Nations guides. (Comet Over Hollywood screencap)

After three feature “Gidget” films and a 1965 television show that lasted one season, the 1969 television film “Gidget Grows Up” places Gidget in New York City. She’s ready to change the world at the United Nations (UN), which she describes as “one of humanity’s noblest achievements.”

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Musical Monday: Music in the Air (1934)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 500. To celebrate and share this musical love, here is my weekly feature about musicals.

music in the airThis week’s musical:
“Music in the Air” (1934)– Musical #549

Studio:
Fox Film Corporation

Director:
Joe May

Starring:
Gloria Swanson, John Boles, Douglass Montgomery, Reginald Owen, June Lang, Al Shean, Marjorie Main, Sara Haden,

Plot:
Set in the Bavarian Alps, small town teacher Karl Roder (Montgomery) is in love with Sieglinde Lessing (Lang), who is the daughter of composer Dr. Walter Lessing (Shean). The two meet a quarreling acting couple- Bruno Mahler (Boles) and primadona Frieda Hotzfelt (Swanson). Bruno and Frieda take advantage of Karl and Sieglinde to make each other jealous. Bruno makes Sieglinde the lead in a new operetta, leaving Karl despondent.

Trivia:
-The “Music in the Air” was originally a Broadway musical. It opened at the Alvin Theatre in New York City on Nov. 8, 1932, and ran for 342 performances.
-The directorial debut of Joe May in America. May started his film career in Germany in 1910 but fled in 1934 when the Nazis started to take power.
-Actor Douglass Montgomery was dubbed by Dave O’Brien
-Actress June Lang dubbed by Betty Heistand
-Billy (billed as Billie) Wilder was one of the scriptwriters. Billy Wilder later directed Gloria Swanson in “Sunset Blvd.” (1950).
-Gloria Swanson’s voice coach during the film was Dr. Marifiotti, Caruso’s voice coach, according to Gloria Swanson’s autobiography, “Swanson on Swanson.”
-Music composed by Jerome Kern and Oscar Hammerstein
-The song “The Song is You” was a hit on the Broadway play, but was cut from the film.

Highlights:
-Hearing Gloria Swanson and John Boles sing

Al Shean, Reginald Owen, Douglass Montgomery, Gloria Swanson, June Lang and John Boles

Al Shean, Reginald Owen, Douglass Montgomery, Gloria Swanson, June Lang and John Boles

Notable Songs:
-“I’ve Told Every Little Star” performed by June Lang and Douglass Montgomery
-“One More Dance” performed by John Boles
-“I’m Alone” performed by Gloria Swanson

My review:
“Music in the Air” is a quaint little film.

The cast is excellent, the songs are beautiful and the set designed to look like the Bavarian Alps is lovely.

For contemporary classic film audiences, many are mainly familiar with Gloria Swanson in her silent films and in “Sunset Boulevard.” Like audiences forget that Irene Dunne can sing, it’s also overlooked that Swanson was in multiple musicals and has a lovely operatic voice. I think these go overlooked because they aren’t aired on television often and can be difficult to find.

John Boles also has a very pleasant singing voice.

While John Boles and Gloria Swanson are the leads, June Lang and Douglass Montgomery have the most screen time as the secondary leads. They are pleasant actors, particularly Douglass Montgomery, who is handsome (you may recognize him as Laurie from “Little Women” (1933). However, both of them were dubbed in the movie.

One thing I think is interesting about this film is that it is almost divided up into acts, as the Broadway play was. But it also isn’t obvious that it was a play (as some early talking films were), with long scenes with too much talking.

The plot isn’t very dynamic and is an old story: couples using someone else to make their lover selfish. I think that is where the film lost me a little bit. While I enjoyed it, 75 minutes of the 90-minute film is the couple making each other jealous-in between songs. That seemed a bit excessive.

The most interesting fact about the film is that director Joe May was a successful director in Germany, starting from 1910. However, May, who was Jewish, had to flee the United States when the Nazis took power in 1934. May was unable to regain the success he once had in Germany. He made his last film 1944.

Another interesting point is that Billy Wilder (then spelling his name as Bille) is billed as one of the screenwriters. Wilder and Gloria Swanson were later re-teamed for “Sunset Blvd.”

While I find the movie pleasant, it wasn’t a success.

“We all felt fairly certain of success during shooting, but the picture flopped,” Swanson wrote in her autobiography. “The nation at large ignored Music in the Air and rushed instead to see Stand Up and Cheer, a musical starring a six-year-old Shirley Temple.”

“Music in the Air” is a film I’m on the fence about. While it was light and entertaining, I also didn’t feel very engaged. However, it was a treat to see John Boles and Gloria Swanson singing together.

John Boles and Gloria Swanson in "Music in the Air" (1934).

John Boles and Gloria Swanson in “Music in the Air” (1934).

Check out the Comet Over Hollywood Facebook page, follow on Twitter at @HollywoodComet or e-mail at cometoverhollywood@gmail.com

Musical Monday: Gold Diggers of 1937 (1936)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 500. To celebrate and share this musical love, here is my weekly feature about musicals.

GoldDiggers1937001This week’s musical:
Gold Diggers of 1937” (1936)– Musical #216

Studio:
Warner Brothers

Director:
Lloyd Bacon

Starring:
Dick Powell, Joan Blondell, Glenda Farrell, Victor Moore, Lee Dixon, Osgood Perkins, Rosalind Marquis, Irene Ware, Carole Landis (uncredited), Jane Wyman (uncredited)

Plot:
Sickly Broadway producer J.J. Hobart (Moore) is broke but doesn’t know it. His scheming assistants, who are responsible for the financial downfall, decide to take out a $1 million insurance policy on Hobart so they can collect when he dies. While they work to keep him unhealthy with the help of Genevieve Larkin (Farrell), insurance salesman Rosmer Peck (Powell) and his girl Norma Perry (Blondell) try to keep him healthy.

Trivia:
-Choreography by Busby Berkeley
-Carole Landis and Jane Wyman played uncredited chorus girls in the film
-The song “Hush Mah Mouth” was written for the film but not used.
-This film follows four “gold diggers” movies made from 1923 to 1936: The Gold Diggers (1923), Gold Diggers of Broadway (1929), Gold Diggers of 1933 (1933), Gold Diggers of 1935 (1935). One more movie follows this film, “Gold Diggers in Paris” (1938)

Dick Powell and Joan Blondell in "Gold Diggers of 1937"

Dick Powell and Joan Blondell in “Gold Diggers of 1937”

Highlights:
-The “All’s Fair in Love and War” number choreographed by Busby Berkeley

Notable Songs:
-“With Plenty of Money and You” performed by Dick Powell
-“Life Insurance Song” performed by Dick Powell
-“Speaking of the Weather” performed by Dick Powell and Joan Blondell
-“All’s Fair in Love and War” performed by Dick Powell, Joan Blondell, Lee Dixon, Rosalind Marquis

Dancers during the "All's Fair in Love and War" number in "Gold Diggers of 1937"

Dancers during the “All’s Fair in Love and War” number in “Gold Diggers of 1937”

My review:
“Gold Diggers of 1937” may not be as well known as it’s pre-code counterparts with “We’re in the Money” and “Lullaby of Broadway,” but I think it’s just as fun–if not more.

This was filmed during what we should call “The Dick Powell mustache years.” This movie is the start of the end of his crooning days, which ended officially in 1944 with Meet the People. However, Powell still sells a song as good as ever.

Glenda Farrell and Victor Moore in "Gold Diggers of 1937"

Glenda Farrell and Victor Moore in “Gold Diggers of 1937”

While Ruby Keeler and Ginger Rogers aren’t part of the gold-digging teams, this film has an excellent cast. Glenda Farrell and Joan Blondell are wonderful, as always, and the lesser known Rosalind Marquis is also adorable.

While this film is fun and very witty, the best part of this musical is the songs. They are all so catchy and you’ll keep singing them for the rest of the day, especially “Plenty of Money and You.”

The “All’s Fair in Love and War” is a really fun musical number as well with a fun tune.

Catch this one. It will keep you smiling throughout the whole 100 minutes.

Check out the Comet Over Hollywood Facebook page, follow on Twitter at @HollywoodComet or e-mail at cometoverhollywood@gmail.com

Musical Monday: Song of the Islands (1942)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 500. To celebrate and share this musical love, here is my weekly feature about musicals.

islandsdThis week’s musical:
Song of the Islands” (1942)– Musical #393

Studio:
20th Century Fox

Director:
Walter Lang

Starring:
Betty Grable, Victor Mature, Thomas Mitchell, Jack Oakie, Billy Gilbert, George Barbier, Hilo Hattie, Harry Owens and His Royal Hawaiians

Plot:
Eileen O’Brien (Grable) returns to her beachcombing father’s (Mitchell) home in Hawaii after going to school in the states. At the same time, Jeff Harper (Mature) shows up on the island with his buddy Rusty (Oakie) on the island to help transport his father’s (Barbier) cattle. Jeff and his father want Dennis O’Brien’s (Mitchell) land to build a pier to help transport the cattle. The cattle business gets in the way of the budding romance of Jeff and Eileen.

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Musical Monday: It Happened at the World’s Fair (1963)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 500. To celebrate and share this musical love, here is my weekly feature about musicals.

fair1This week’s musical:
It Happened at the World’s Fair (1963)– Musical #547

Studio:
Metro-Goldwyn-Mayer

Director:
Norman Taurog

Starring:
Elvis Presley, Joan O’Brien, Gary Lockwood, Vicky Tiu, Yvonne Craig, Kam Tong, H.M. Wynant, Kurt Russell (uncredited)

Plot:
Mike (Elvis) and Danny (Lockwood) play two crop-duster pilots. Danny loses all of their pay gambling so the two are broke. While hitchhiking, they end up on Uncle Walter (Tong) and Sue-Lin’s (Tiu) truck to the Seattle World’s Fair. Uncle Walter isn’t able to take Sue-Lin to the fair, so Mike volunteers; giving him the opportunity to meet a pretty nurse, Dianne (O’Brien).

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Musical Monday: Painting the Clouds with Sunshine (1951)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 500. To celebrate and share this musical love, here is my weekly feature about musicals.

paintingThis week’s musical:
Painting the Clouds with Sunshine (1951)– Musical #409

Studio:
Warner Brothers

Director:
David Butler

Starring:
Dennis Morgan, Virginia Mayo, Gene Nelson, Lucille Norman, S.Z. “Cuddles” Sakall, Virginia Gibson, Tom Conway, Wallace Ford

Plot:
Vince (Morgan) has a gambling problem and his girlfriend Abby (Norman) has had enough and leaves for Las Vegas with her two singing partners, Carol (Mayo) and June (Gibson). The three are in search for millionaires, but one follows him there: millionaire dancer Ted Lansing (Nelson). However, Ted’s family isn’t keen on him marrying a performer.

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Musical Monday: Flirtation Walk (1934)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 500. To celebrate and share this musical love, here is my weekly feature about musicals.

flirtation walkThis week’s musical:
Flirtation Walk (1934) – Musical #265

Studio:
First National Productions Corporation

Director:
Frank Borzage

Starring:
Dick Powell, Ruby Keeler, Pat O’Brien, Ross Alexander, John Arledge, John Eldredge, Henry O’Neill, Guinn ‘Big Boy’ Williams

Plot:
Dick Dorcy (Powell) is a private in the Army station in Hawaii. He is assigned to drive visiting general’s daughter, Kitt Fitts (Keeler). Kitt ditches a reception she is required to go to, ordering Dick to show her around Hawaii. This puts Dick in hot-water, and to avoid court-martial, the two-part. Dick decides to go to West Point to become an officer to be the equal of Kitt’s boyfriend, Lieut. Biddle (Eldredge).
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Running Lines: Mixing Quotes into Your Lingo

If you’re a classic film fan, it’s almost a given that many people you greet in your daily life won’t know what you’re talking about. Topics like the cool pre-code you watched last night or how you’re still angry that Gloria Swanson didn’t win the Academy Award for “Sunset Boulevard” are most likely met with a blank stare.

Even still, classic films are so immersed into our daily life and thoughts, that it’s hard not to casually quote a film in your daily speak. I don’t mean outrageous and obvious quotes that would get you called into Human Resources. (See: Standing on your desk and shouting “Look at me, Ma! Top of the world!” or ending a meeting with “Frankly, my dear I don’t give a damn.”)

For me, there are simple, catchy film quotes that I slip into my conversations on the sly; fully knowing that no one around me will understand that I’m referring to a film.

Here are six examples of a few of the movies I quote regularly:

Battleground (1949)

Plot: The 101st Airborne Division is fighting in Bastogne during the Battle of the Bulge in World War II.

"That's for sure, that's for dang sure" —Battleground (1949) (Comet Over Hollywood/Jessica P screen cap)

“That’s for sure, that’s for dang sure” —Battleground (1949)
(Comet Over Hollywood/Jessica P screen cap)

The division is made up of various personalities from all over the United States. One of the soldiers, Abner Spudler (Jerome Courtland) is supposed to be a little more country than the rest and repeatedly says “That’s for sure, that’s for dang sure,” when he agrees with someone.

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