Watching 1939: Another Thin Man (1939)

In 2011, I announced I was trying to see every film released in 1939. This new series chronicles films released in 1939 as I watch them. As we start out this blog feature, this section may become more concrete as I search for a common thread that runs throughout each film of the year. Right now, that’s difficult. 

1939 film: 
Another Thin Man (1939)

Release date: 
Nov. 17, 1939

Cast: 
William Powell, Myrna Loy, Asta, Virginia Grey, Otto Kruger, C. Aubrey Smith, Ruth Hussey, Nat Pendleton, Patric Knowles, Tom Neal, Phyllis Gordon, Don Costello, Harry Bellaver, William A. Poulsen, Muriel Hutchison, Marjorie Main, Abner Biberman, Dick Elliott (uncredited), Shemp Howard (uncredited), Carmen D’Antonio (uncredited), Miguel Fernández Mila (uncredited),

Studio: 
Metro-Goldwyn-Mayer

Director: 
W.S. Van Dyke

Plot:
Nick (Powell) and Nora (Loy) Charles return to New York after a vacation with their dog Asta and their one-year-old baby Nickie, Jr. (Poulsen). An old family friend, Colonel MacFay (Smith) calls them to his home, because he believes there is a threat on his life as he receives threats. When he is killed, Nick and Nora investigate the murder. Suspects include the Colonel’s adopted daughter (Grey), a strange nurse (Hussey), the daughter’s boyfriend (Neal) and the person sending threats to the Colonel, Phil Church (Leonard).

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Musical Monday: Lillian Russell (1940)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 600. To celebrate and share this musical love, here is my weekly feature about musicals.

This week’s musical:
Lillian Russell – Musical #633

Studio:
20th Century Fox

Director:
Irving Cummings

Starring:
Alice Faye, Don Ameche, Henry Fonda, Edward Arnold, Warren William, Leo Carrillo, Helen Westley, Dorothy Peterson, Ernest Truex, Nigel Bruce, Lynn Bari, Eddie Foy Jr., Una O’Connor, Elyse Knox, Joan Valerie, Alice Armand, Irving Bacon, Diane Fisher, Joseph Cawthorn, Lew Fields, Joe Weber

Plot:
In a biographical musical of performer Lillian Russell (Faye), the story follows Helen Louise Leonard and her transformation to the big star Lillian Russell. After she is discovered in 1890 by Tony Pastor (Carrillo), Russell is rises to fame and has many suitors including Diamond Jim Brady (Arnold), Jesse Lewisohn (William), Alexander Moore (Fonda) and Edward Solomon (Ameche).

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Watching 1939: Beau Geste (1939)

In 2011, I announced I was trying to see every film released in 1939. This new series chronicles films released in 1939 as I watch them. As we start out this blog feature, this section may become more concrete as I search for a common thread that runs throughout each film of the year. Right now, that’s difficult. 

1939 film: 
Beau Geste (1939)

Release date: 
July 24, 1939

Cast: 
Gary Cooper, Ray Milland, Robert Preston, Brian Donlevy, Susan Hayward, J. Carrol Naish, Albert Dekker, Broderick Crawford, George P. Huntley, James Stephenson, Albert Dekker, Charles Barton, James Burke, Heather Thatcher, Henry Brandon, Harold Huber, Harvey Stephens
Leads as children: Donald O’Connor, Billy Cook, Martin Spellman, Ann Gillis, David Holt

Studio: 
Paramount Pictures

Director: 
William A. Wellman

Plot:
Three brothers Beau Geste (O’Connor/Cooper), Digby Geste (Spellman/Preston) and Michael Geste (Cook/Milland) were orphans, adopted and raised by their aunt Lady Patricia Brandon (Thatcher). Lady Brandon also raises her nephew bratty (Holt/Huntley) and her ward Isobel (Gillis/Hayward). Augustus Part of the Brandon family fortune is a large sapphire, the Blue Water. Lady Brandon is going to have to sell the Blue Water to give money to her absent husband. But before it could be sold, one of the young adults steals the Blue Water. Beau and Digby both leave that same night to join the French Foreign Legion, and upon discovering, Michael follows his brothers to Algeria. There the brothers and the rest of the legionnaires suffer under the sadistic and abusive Sergeant Markoff (Donlevy). Markoff targets the brothers after Markoff’s stooge Rasinoff (Naish) overhears the brothers talking about the sapphire.

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Musical Monday: The Belle of New York (1952)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 600. To celebrate and share this musical love, here is my weekly feature about musicals.

This week’s musical:
The Belle of New York (1952) – Musical #239

Studio:
Metro-Goldwyn-Mayer

Director:
Charles Walters

Starring:
Fred Astaire, Vera-Ellen, Marjorie Main, Keenan Wynn, Alice Pearce, Clinton Sundberg, Gale Robbins, Lyn Wilde (uncredited)

Plot:
Set in the early 1900s, Charlie Hill (Astaire) is a wealthy playboy who is often engaged but never married. Angela Bonfils (Ellen) works at a mission house, which is run by Charlie’s aunt (Main). When Charlie meets Angela, he falls in love and finds himself floating in the air. Anglea soon too finds herself floating on air (literally). As the two make plans to marry, Charlie worries he isn’t good enough for Angela.

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Watching 1939: Beauty for the Asking (1939)

In 2011, I announced I was trying to see every film released in 1939. This new series chronicles films released in 1939 as I watch them. As we start out this blog feature, this section may become more concrete as I search for a common thread that runs throughout each film of the year. Right now, that’s difficult. 

1939 film: 
Beauty for the Asking (1939)

Release date: 
Feb. 10, 1939

Cast: 
Lucille Ball, Patric Knowles, Donald Woods, Frieda Inescort, Inez Courtney, Leona Maricle, Frances Mercer, Whitney Bourne, Kay Sutton, Ann Evers, Charles Coleman (uncredited), Leon Belasco (uncredited)

Studio: 
RKO Radio Pictures

Director: 
Glenn Tryon

Plot:
Jean Russell (Ball) is jilted by her fiancée Denny Williams (Knowles), when he marries $10 million heiress Flora Barton-Williams (Inescort). After also losing her job, Jean tries to focus on marketing a cold cream that she has been developing in her kitchen. Jean becomes a successful cosmetic entrepreneur with a cold cream and beauty salon with Denny and his wife as an investor in the business, with Denny trying to get back in Jean’s good favors.

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Musical Monday: Time Out for Rhythm (1941)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 600. To celebrate and share this musical love, here is my weekly feature about musicals.

This week’s musical:
Time Out for Rhythm (1941) – Musical #420

Studio:
Columbia Pictures

Director:
Sidney Salkow

Starring:
Rudy Vallee, Ann Miller, Rosemary Lane, Allen Jenkins, Richard Lane, Stanley Andrews, Moe Howard, Larry Fine, Curley Howard, Blanche Stewart, Elvia Allman, Alan Hale Jr. (uncredited), Alex Romero (uncredited), Bess Flowers (uncredited)
Themselves: Joan Merrill, Glen Gray and His Casa Loma Orchestra, Eddie Durant’s Rhumba Orchestra, Six Hits and a Miss

Plot:
Danny Collins (Vallee) and Mike Armstrong (Lane) meet at random in a nightclub. Danny is a Harvard grad and Mike the agent of singer Frances Lewis (Lane), and Danny critiques Frances’s voice as she performs in the nightclub. Danny and Mike form a successful New York talent agency in an effort to make Frances a star, but she gets married and briefly leaves show business. Danny and Mike start rehearsing a groundbreaking television hour with Joan Merrill and jazz bands performing. But when Frances gets divorced, Mike wants the whole show reworked to star her, causing a rift between Danny and Mike.

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Watching 1939: Lucky Night (1939)

In 2011, I announced I was trying to see every film released in 1939. This new series chronicles films released in 1939 as I watch them. As we start out this blog feature, this section may become more concrete as I search for a common thread that runs throughout each film of the year. Right now, that’s difficult. 

1939 film: 
Lucky Night (1939)

Release date: 
May 4, 1939

Cast: 
Myrna Loy, Robert Taylor, Joseph Allen, Henry O’Neill, Douglas Fowley, Charles Lane, Bernard Nedell, Gladys Blake, Marjorie Main, Bernadene Hayes, Irving Bacon, Frank Faylen (uncredited)

Studio: 
Metro-Goldwyn-Mayer

Director: 
Norman Taurog

Plot:
Cora Jordan (Loy) is rich and doesn’t know what she wants out of life. After jilting her suitor, she decides to break free from her rich father (O’Neill) to see if she can find what she’s looking for. While unsuccessfully looking for a job, she meets unemployed Bill Overton (Taylor). The two team up for a lucky evening of gambling. The fun is complicated when they marry when Bill wants to keep having fun and Cora feels they should be more serious.

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TCMFF 2020: The Special Home Edition

This week, many of us would have been traveling to Hollywood for the Turner Classic Movies Classic Film Festival (TCMFF).

Unfortunately, due to the current COVID-19 situation, the 2020 event had to be cancelled. However, the leaders of Turner Classic Movies (TCM) put their heads together, and created a special TCMFF Home Edition to keep fans and their staff engaged during a difficult time.

On Tuesday, a media round-table was held with TCM Host Ben Mankiewicz, TCM General Manager Pola Changnon, and TCM Senior Vice of Programming Charlie Tabesh.

Each shared that this has been an emotional time, as they look forward to the festival as much as the fans do. I didn’t expect to get teary on the call, but hearing how emotional the cancellation is for the staff (as much as the pass holders) made me cry a little.

Here is a summary of the questions asked during the media roundtable:

Can you give an overview of why TCM decided to do the TCMFF Home Edition?

Pola Changnon: A month ago, we were concerned about the evolving situation and how that may or might not affect our festival dates (April 16-19). It was around this time a month ago, that it became clear that we would have to cancel the festival. We didn’t feel comfortable postponing — you can imagine the work it takes to rearrange the films and locations. Within a day, all of us were together in Los Angeles for business. We started the day off with an acknowledgement that we would have to cancel. By the end of the day, Charlie Tabesh felt confident that he could pull something together for the network in place of the festival. This is a special weekend that people look forward to all year long – both staff and pass holders. We asked ourselves how could we do this and will it be special enough? Within a couple of days, Charlie came up with something so robust.

Charlie Tabesh: We had to figure out, “How do you make this different than what is already on TCM?” We wanted it to be special and include a lot of material that we wouldn’t include day-to-day on TCM.

Our first idea was that we would play movies that we were planning to show at the festival this year. The issue there is we wouldn’t have the guests, tributes and other special videos that were done over the years.  One of the reasons we included previous festival moments so that it involved some of the best of past festivals, we figured out how to make it special with Ben’s intros, and talk about how we were there with celebrities and use tribute pieces and interviews that happened before a film. That’s what makes it different as far as production.

Ben Mankiewicz: We shot intros in a way that I’ve never shot anything. We have had a scaled down crew with no one coming within 10 feet of me. We shot and wrote fresh intros—we always write fresh intros — but fresh as in related to the festival. Programming this weekend will look different, and isn’t shot on my set. I’m also reminded by what Pola said—people look forward to this weekend all year. That includes us. A large part of what we look forward to is the connection we have with our fans. When TCM announced that we couldn’t do the festival, I was asked to write something to say on the air. In both writing and delivering it, I got really emotional. I almost couldn’t get through without crying. I didn’t expect that. It’s emotional for all of us. Charlie’s crew helped me provide some new context. All of what TCM does this weekend – online, social media — is to engance the programing we will have airing this weekend.

What is the plan for next year? Are you going to keep the same programing that was planned for this year?

Charlie Tabesh: There are a lot of things we can take from this year and move it to next year. But next year there may be different talent or different restorations and anniversaries. There will be things that will reshape the festival. We have a bit of a head start, but the work will still need to be done for next year.

Following the upcoming home edition, will TCM plan other events for the upcoming year?

Ben Mankiewicz: Anecdotally, the response I get on social media is almost the most significant response that I have gotten anywhere. The engagement with fans is the best and most meaningful part of my job. I think we have learned there is real value of having this online component so that even more people can be included.

How to watch:

You can find the full schedule for the TCMFF Home Edition here.

To make the best of this weird quarantine situation, Comet Over Hollywood will post throughout the weekend what we’re watching during #TCMFF and outfits I would be wearing if I was there. Follow along on Twitter at @HollywoodComet.

Musical Monday: Neptune’s Daughter (1949)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 600. To celebrate and share this musical love, here is my weekly feature about musicals.

This week’s musical:
Neptune’s Daughter (1949) – Musical #117

Studio:
Metro-Goldwyn-Mayer

Director:
Edward Buzzell

Starring:
Esther Williams, Red Skelton, Ricardo Montalban, Betty Garrett, Ted de Corsia, Mel Blanc, Mike Mazurki, Theresa Harris (uncredited), Joi Lansing (uncredited), Dee Turnell (uncredited)
Himself: Xavier Cugat

Plot:
Eve Barrett (Williams) is a champion swimmer who is convinced to start a Neptune’s swimsuit company in a partnership with Joe Backett (Wynn). Eve becomes a successful swimsuit designer with Joe. A South American polo team comes to town for a match, and Eve and Joe plan a swimming extravaganza and fashion show to partner with the big event. Eve’s man-hungry sister Betty Barrett (Garrett) hopes to find a romance with a polo player, and mistakes the team’s masseur Jack Spratt (Skelton) for the lead player, José O’Rourke. The real José O’Rourke (Montalban) pursues Eve, while she is thinking he is two-timing her sister.

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Watching 1939: On Borrowed Time (1939)

In 2011, I announced I was trying to see every film released in 1939. This new series chronicles films released in 1939 as I watch them. As we start out this blog feature, this section may become more concrete as I search for a common thread that runs throughout each film of the year. Right now, that’s difficult. 

1939 film: 
On Borrowed Time (1939)

Release date: 
July 6, 1939

Cast: 
Lionel Barrymore, Cedric Hardwicke, Beulah Bondi, Bobs Watson, Una Merkel, Nat Pendleton, Henry Travers, Grant Mitchell, Eily Malyon, James Burke, Ian Wolfe, Phillip Terry, Sonny Bupp (uncredited)

Studio: 
Metro-Goldwyn-Mayer

Director: 
Harold S. Bucquet

Plot:
When Pud’s (Watson) parents die, he goes to live with his grandparents Julian Northrup (Barrymore) and Granny Nellie (Bondi). Because of Pud’s inheritance, his aunt Demetria (Malyon) tries to adopt Pud using his grandfather’s bad influence as an excuse. When Death, named Mr. Brink (Hardwicke), visits to take Gramps, Gramps traps Death in a tree so he can stay with Pud and keep him away from Aunt Demetria.

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